Pipilotti rist biography of williams sisters

Rist has garnered international acclaim for her immersive multi-channel and spatial video installations.

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She is often discussed as the heir-apparent to the founding father of Video art , Nam June Paik , but Rist has done more than her predecessor to overlap the worlds of contemporary art and mainstream culture. Rist's lush and seductive imagery alludes to the worlds of advertising and music videos, but she brings to this a highly individualistic artistic language.

Following her oft-quoted analogy between the disorderly content of her video work with that of the inside of a woman's handbag, she brings together the worlds of music, painting, technology, movement, humor, and poetry in a way that has the power to entrance her viewer. Rist's stated aim is to help her followers adopt a more benign view of their world in the belief that positive changes in attitude toward each another can be best achieved through a combination of thought and feeling.

Marc Payot, president of the Hauser and Wirth gallery, states, "The miracle of Pipilotti Rist is that she uses the camera with the same impact that the greatest painters have achieved with a brush [She recreated] a whole new form of expression, an ingenious cosmos all her own. But at the same time, her work is brimming with so much generosity that it engages every kind of viewer".

Made while she was still a student, it brought her early recognition in the world of experimental video art. Rist wears a black dress, which leaves her breasts exposed, and dances in an empty white space in front of the camera. She repeatedly sings: "I'm not the girl who misses much". Arts writer Natasha Bullock called the work "a raunchy, fast-paced video that depicts a woman's yearning".

The audio and video are alternately speeded-up and slowed-down while monochromatic red and blue color filters are applied to some portions of the video.